Review: It's safe to say Midland is now one of Aus Music's marquee artists. This Duster EP provides the Englishman with his seventh release on Will Saul's label since 2010 with that killer split 12" with Ramadanman (now Pearson Sound). The title track features a Caribou-like bassline and synths which swell and vary in size over a skipping house beat. "Replex" is rougher and frenetically percussive while still remaining melodic, while "Pitch Drift" is the deepest production on the record that some how, in amongst the trippiness of it all, stays tropical.
Magic Mountain High - "Tiny Fluffy Spacepods" (7:17)
Dusted Links (8:47)
One Small Step... (with Reagenz Meets Thomas Fehlmann) (7:00)
Move D - "Building Bridges" (with Fred P - Move D Inside Revolution mix) (10:46)
Perpetual State (feat The Poem Alles Ist Eins by Thorn Hoedh) (4:56)
Review: Given that he's a born collaborator, as his vast discography proves, it's perhaps fitting that David Moufang's latest album as Move D is packed to the rafters with killer collaborations. Check, for example, the ultra-deep, woozy and off-kilter "Innit", a superbly dubby and opaque studio hook-up with German rave pioneer D-Man, and the shuffling, intergalactic deep house warmth of Fred P collaboration "Building Bridges". Fittingly, his renowned collaborative projects also feature. There's a wonderfully elastic and out-there dub techno/minimalist track by Reagenz (Moufang and Jonah Sharp AKA Spacetime Continuum) with German veteran Thomas Fehlmann, and a Magic Mountain High (alongside Juju and Jordash) track that takes slow-burn, softly spoken deep house/dub techno fusion and runs with it. As you'd expect, the solo tracks are impeccable, too.
Review: Now busy running a popular studio in Brooklyn, Will Holland has less time to devote to his popular Quantic project. While that is very much our loss, he does at least reappear occasionally to remind us of his talents. 'Tropics', his first release for well over a year, is therefore a rare treat - with the emphasis on treat. The A-side title track does a good job in combining his often-explored Cuban and South American musical influences with the bass-heavy shuffle of Prins Thomas style dub disco. Over on side B, 'Born Again', featuring Laura Roy on vocals, doffs a cap to his formative releases of the 2000s on Tru Thoughts, while 'Japanese Knives' is a chunky, string-laden workout reminiscent of some of the Quantic Soul Orchestra's most picturesque instrumentals.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.